Crew

Venezuelan filmmaker and theater director with 50 years in media. His career spans major networks (Venevisión, RCTV, Discovery Latin, MGM, Univision, Telemundo, Fox) and production companies across three continents (TV Planet, Promofilm US, Seal UK, Plaza Sésamo México, Plural/Grupo PRISA España). As director and screenwriter, he's created the TV series "Milagros," films "Cuento sin Hadas" and "Las Pieles de la Cebolla," with short films screened at festivals in Montecatini, Leicester, and Lausanne. Author of over 130 staged theatrical works performed in Venezuela, USA, Colombia, Mexico, Spain, and Argentina. Published playwright: "Teatroando" and "Bailando con las Musas." Former Creative Director of Ecuavisa Quito and member of Venezuela's renowned theater groups Rajatabla and Centro de Directores para el Nuevo Teatro. Eduardo brings a deeply personal perspective to La Última Estación: he witnessed his mother's caregiving journey with his father, recognizing the invisible strength and sacrifice that inspired his vision for this film.

Writer, creative strategist, and executive producer with over 35 years of experience in multicultural storytelling, social campaigns, and purpose-driven content. Bachelor's degree in Social Communication from Universidad Católica Andrés Bello (UCAB) with a diploma in Strategic Communication. In Venezuela, she led the launch of the talk show Geraldo, the first to be dubbed into Spanish for Latin America. She produced Zona Descarga Belmont during its early years, becoming synonymous with outdoor concerts for several generations. Founder of Jackie Zambrano LLC and Hyper Creative Studios in the United States, she has led projects for Procter & Gamble and Western Union. She is also a certified interpreter in medical and immigration fields. The Last Station was born from her personal experience as a caregiver for over 20 years, transforming profound lived experiences into a cinematic narrative about love, sacrifice, and the possibility of healing.

Venezuelan film producer and entrepreneur based in Miami, with over 10 years of experience in film, television, music videos, and commercials. Co-founder of Vazu LLC with Marielena Zuccaro, a production support company specializing in logistical solutions for high-profile productions. His work in music videos has received industry recognition, including a Latin Grammy nomination for the video "Ale Ale" and recognition at the VMA Awards for "La Patrulla" by Peso Pluma. He has produced videos for artists such as Marc Anthony, Bad Bunny, Feid, and Lil Wayne, as well as commercials for global brands including Nike, Adidas, Hyundai, Evian, and Zara. His narrative film experience includes work as production manager and line producer on feature films such as The Provocateur (2022) and Venganza en Las Vegas (2023). He brings international expertise in budgets, logistics, and team coordination.

CEO and executive producer of Mar de Fondo LLC with over 23 years of experience in audiovisual media, television, and digital content. Master's degree in Digital Film Direction and Production from Universidad de La Laguna, Spain. He served as general director of Sun Channel and Sport Plus Channel in Venezuela and graphics services manager at Venevisión, responsible for the network's branding. Winner of Golden Promax Los Angeles 2002 and Silver Latin BDA Argentina 2002. He has been a jury member at Promax & BDA International and speaker at international sports marketing forums. Based in Miami since 2010, he specializes in artistic direction, project management, and international content production. His executive experience at major television networks ensures professional standards while operating within independent film budget realities.

Marielena Zuccaro is a U.S.-based audiovisual producer and co-founder of VAZU, a production services company that provides comprehensive on-set support, production supplies, vehicles, and communication systems to facilitate seamless audiovisual logistics across South Florida productions. Since 2020, she has worked across film, commercials, music videos, and television as Production Coordinator, Production Manager, and Producer. Her portfolio includes narrative films (Phoenix, The Devil Trap, Paper Empire), television promotions for Telemundo, Univision, and Unimas, branded campaigns with Kenneth Cole, Hyundai, Baptist Health, Lowe's, and Zara, plus music videos for Bad Bunny, Karol G, Shakira, Ozuna, and Juanes. Marielena brings structure, creative sensitivity, and entrepreneurial vision to every production.

Latin Grammy-nominated director and cinematographer, known for his work with artists such as Reik, Myke Towers, Ozuna, Camilo, Luis Fonsi, and Grupo Firme. Winner of Video of the Year at the 2021 Heat Awards and two 2023 Pepsi Music Awards, including "Video of the Year." His video "Ojos Marrones" by Lasso was recognized by MTV as one of the best of 2022. In 2023 he won a Silver Telly Award for his Hyundai project. Founder of the production company "We Want To Film," he is currently working on his first feature film. Based in Miami, his eclectic, narrative-focused style has been featured at Premios Juventud and Billboard. For The Last Station, he brings his proven ability to capture emotional intimacy on camera, translating the director's vision into a visual language that honors the dignity of caregivers.

Senior art director, illustrator, and graphic designer with over 30 years of experience in creative direction and visual production for film, television, advertising campaigns, and digital content. He masters both traditional analog techniques (freehand drawing, ink illustration, airbrush) and advanced digital production. Since 2010, he has been Art Director at Jackie Zambrano LLC/Hyper Creative Studios, where he has created the complete branding for The Last Station. He has developed the visual identity of the talk show Geraldo in Spanish for Latin America, campaigns for Western Union in Central America and the Caribbean, and branding for artists such as Cris Campocasso, Franco de Vita, and Carlos Baute, in addition to the branding of KOATI, an animated film on Netflix. His work includes storyboards for Celuloide productions and branding for international concerts in Venezuela (Alanis Morissette, Rubén Blades, Shakira, David Copperfield). Designer of the magazine Miami para Niños, he fuses visual identity and narrative creating cohesive experiences.

Composer, music producer, pianist, and orchestra conductor based in Miami. Winner of the 2004 ASCAP award for "Así es la Vida," recognized as Best Pop Song of the Year and performed by Olga Tañón. He has composed original music for 18 telenovelas broadcast worldwide, including La Revancha, Gata Salvaje, and Eva Luna, for companies such as Fonovideo and Venevisión Productions. As a music producer, he has worked with Sony Music artists including Franco de Vita, Chayanne, Leda Batisti, and Axel, among others. He has performed as pianist and musical director alongside figures such as Dionne Warwick, Christopher Cross, Arturo Sandoval, and Jon Secada. He is currently Composer in Residence of the Miami Symphony Orchestra under the direction of Maestro Eduardo Marturet. For The Last Station, he creates an original score with piano as the main instrument.

Director and two-time Regional Suncoast Emmy Award winner (2019-2022), specializing in commercials, music videos, television, and film. He has directed productions for Nickelodeon Latin America (ISA TKM, GRACHI, Every Witch Way) and Telemundo/NBC (Corazón Valiente, Santa Diabla). His work includes campaigns for brands such as Marvel, Paramount, L'Oréal, and Universal Pictures, including Captain Marvel and Mission: Impossible – Fallout. He began his career in Venezuela directing the country's first sitcom with a live audience and internationally acclaimed telenovelas for RCTV. As first assistant director on The Last Station, he coordinates all film departments and manages the shooting schedule. His two Emmys and extensive experience across multiple formats ensure professional execution under the compressed timelines of independent production.

Arnaldo Rocco Bruno Barrios is a Venezuelan director, screenwriter, and audiovisual producer. He began his acting career at age 13, which led him to develop skills in directing and production. He has written and directed internationally recognized short films, including José and Coming Home, and has been an Official Selection at festivals such as the Spooky Empire Horror Film Festival. He is also the author of the young adult novel Primitive. On The Last Station, he served as second assistant director and oversaw the wrap on the final day of shooting, contributing to the successful completion of a demanding production in just four days.

Vanessa Hassandriaff is a filmmaker and audiovisual producer. On The Last Station, she served as script supervisor, bringing her experience in film, music videos, and commercials. Her work focuses on narrative structure, continuity, and clarity of the creative process, bridging artistic vision with production execution. She has developed projects ranging from comprehensive production management to creative support, collaborating with Latino artists and internationally scoped productions through Artistas Latinos. She is currently developing her first short film as director, producer, and screenwriter. Her narrative sensitivity and attention to detail were key to preserving the story’s emotional coherence throughout the shoot.

Yecid Benavides Jr. is a Bolivian-American filmmaker, actor, and screenwriter with over 25 years of professional experience. Founder and CEO of Artistas Latinos Corp. and creator of the Artistas Latinos Online Film School, he has trained the next generation of filmmakers. He wrote, produced, directed, and starred in Love at First Lie (2016), the most-watched film in Bolivian history. His career includes productions for National Geographic, Discovery Channel, History Channel, and Travel Channel, as well as international brand campaigns. On The Last Station, he served as script supervisor, ensuring the story’s narrative fidelity and emotional integrity with meticulous detail. His multifaceted perspective brings a contemporary sensibility that bridges Latin America and the United States.

Marco Solano approaches sound as an active element of cinematic storytelling, grounded in deep listening and narrative intention. His philosophy—“Listening is also seeing”—guides his technical and artistic approach to film and audiovisual projects. On The Last Station, Marco recorded all production sound, building the film’s sonic atmosphere, and also recorded the voice-overs that form part of the inner world of Jessica, Annie, and John—key elements of the story’s emotional identity. His ability to capture both the intimacy of voices and the subtle nuances of silence and environment allowed him to create a soundscape that sensitively accompanies a narrative about caregiving, loss, and healing, even within a demanding production schedule.

Paco Román is a gaffer and lighting technician based in Miami. He began his career in Barcelona, where he developed a strong technical foundation, then established himself in the United States, working on feature films, shorts, and advertising projects. For Paco, light must always serve the story, accompany characters, and reinforce emotion in an honest and sensitive way. On The Last Station, he conducted location scouting and handled lighting during the first days of shooting, helping define the film’s visual tone. The project resonated deeply with him through its exploration of caregiving, empathy, and family bonds—universal experiences that inform his work.

Javier Pérez is a Cuban-born camera assistant based in South Florida, with experience in commercials, music videos, and narrative film. He is known for his collaborative approach, on-set problem-solving, and commitment to visual quality. On The Last Station, his contribution was essential to the successful completion of an ambitious shoot in just four days. His technical skill and adaptability allowed the team to maintain workflow without compromising the visual sensitivity required by a deeply emotional story. Javier demonstrates that technical efficiency and artistic attention can go hand in hand, helping capture each moment with precision and care.

Venezuelan costume designer and wardrobe stylist based in Miami, with over 20 years of experience in film, television, commercials, and music videos. Bachelor's degree in Social Communication with specialization in Public Relations and Advertising from Universidad Católica Andrés Bello (UCAB). Her work includes the feature film SIMON THE FILM (2021) directed by Diego Vicentini, the miniseries LA FUERZA DE CREER "DULCE SAZÓN" Season 4 for Univision (2023) directed by Charlie Cartaya, and the short film NYCTO SERIES (2023) directed by Ángel Barroeta. Recognized for her cultural sensitivity and ability to build characters and emotions through wardrobe, her work combines narrative intuition with meticulous attention to detail. For The Last Station, she creates wardrobe that reflects the characters' emotional journey without competing with the narrative.

Nacho Jiménez, from La Guapa Productions, was part of the art department of La Última Estación, contributing to production design and props with a strong narrative sensibility. His work played a key role in bringing Annie’s diary to life—an essential object that serves as an emotional and symbolic thread throughout the story. Through production design, Nacho helped shape two distinct visual worlds: Jessica’s and Annie’s, each with its own identity and visual language. The train became Jessica’s inner space, a world that gradually transforms as her emotional journey unfolds. The intentional use of color palettes guides the viewer through different timelines and emotional states, subtly marking transitions in mood and memory. Every object, texture, and visual choice adds coherence, depth, and atmosphere to the world of La Última Estación.

Nina Rodrígues is the photographer and videographer capturing the essence of La Última Estación behind the scenes. With over five years of documenting visual stories in the entertainment industry, Nina brings her artistic sensitivity to preserve every authentic moment of the shoot. Her experience includes work as creative director and official photographer on high-profile music projects, including collaborations with Lagos and Jhay Wheeler (2025), Lil Supa (2025), and CNCO (2022), as well as her work on Luis Chataing's program Conectados (2020). For this short film, Nina transcends the traditional role of set documentarian. Her goal is to capture not just the technical shots but the silent emotions between scenes: the vulnerability of actors preparing, the moments of human connection among the crew, and the intimate atmosphere that defines this project. Through both photography and video, she creates a visual narrative that complements the film itself. Her work will serve both as a historical archive of the production and as promotional and press materials, honoring the emotional depth that La Última Estación represents for everyone involved in telling this story about love, loss, and self-rediscovery.